Poet, musician, bleeding-heart yearner.
Nishat's poetry is rooted in his MFA thesis "Pangea" — directed by former Poet Laureate of Virginia Tim Seibles — which unpacks cycles of grief and violence in Bangladesh during its independence war, and how those cycles echo in the current American landscape.
With a focus in (but not limited to) poetry, his writing falls at the intersections of grief, race, trauma, mental health, loss, love, and music. He was the recipient of the 2018 ODU–Poetry Society of Virginia–Academy of American Poets College Poetry Prize.
Nishat's passion for music — specifically pop-punk and emo — led him to start and lead two genre-fluid bands. His lyrical work aims to dissect the critical moments when our humanity is both at its best and its worst, and catalogue all the ways our emotions make and break us.
As the face of a band in a predominantly white genre, his work also questions the myth of the model minority and what it means to take up space in rooms that weren't built for you.